Sunlit blue-and-white Nantucket living room with ginger jars, hydrangeas, and ocean views

The Edit · Issue No. 06 · Palette

Blue & White
Decorating

Timeless coastal decorating inspired by Nantucket cottages, blooming hydrangeas, weathered cedar shingles, and classic New England homes.

On the Cover

Shop the Look Featured in This Issue

The six pieces styled inside our cover shot — the ginger jar, the stems, the quilted stripe, the ivory rug, the pair of ceramic lamps, and the toile pillow that pulls it together.

A Note from the Editors

Editorial Introduction

There is no coastal palette older, or more forgiving, than blue and white. It arrived on the island three centuries ago in the holds of clipper ships — jars and ginger pots and tureens traded out of Canton — and it has never really left. Walk down any lane in 'Sconset in July and you'll see it in ten steps: hydrangeas foaming against the shingles, a striped awning over a screen door, a pair of Chinese jars on a scrubbed pine hutch.

The reason it endures is simple. Blue and white is a rest for the eye. It borrows from the harbor, the hydrangea hedge, and the four-o'clock sky and echoes them indoors so the rooms never feel disconnected from the view outside. A ticking-stripe pillow tempers a slipcovered sofa. A single ginger jar anchors a mantel that had been trying, and failing, for a year. A chinoiserie garden stool becomes a side table by the front door.

What we call one palette is really a small family of blues — the hazy cornflower of the Delft potters, the deep cobalt of a summer night off Great Point, the powdery blue of a Nantucket shutter that has weathered thirty winters. Set any one of them against chalky, unbleached white, and a room begins to look composed without ever looking decorated. What follows is that room, told in six chapters — and the pieces we would use to build each one.

Before You Shop

The Mood Board

Cedar shingles, hydrangea hedges, ginger jars on a scrubbed pine hutch. The feeling first, the pieces second.

Blue hydrangea hedge
Weathered cedar shingles
Blue-and-white porcelain
White picket fence with hydrangeas
Nantucket front porch
Brass copper lantern
Window box with blue blooms
Sunset over a Nantucket cottage

A Designer's Rule

The Nantucket Formula

Restraint is the reason these rooms endure. Blue is the accent — never the subject.

60%

Warm Whites

Linen, ironstone, whitewashed pine.

20%

Blue

Hydrangea, cornflower, faded shutter.

15%

Natural Texture

Jute, wicker, seagrass, linen.

5%

Brass & Collected

Lanterns, small heirlooms.

Texture matters more than adding more blue. When a room feels flat, reach for jute and linen before reaching for another jar.

A Feature in Six Chapters

Shop by Room

One idea per room, built slowly, kept quiet.

Ginger Jars & Vases

Chapter One

Ginger Jars & Vases

Every blue-and-white room begins with a jar. A single ginger jar on a mantel, a pair flanking a console, a tall vase filled with hydrangeas at the end of the hall — this is the palette's opening line, spoken in porcelain.

Why we chose these pieces

These are the anchor pieces — the shapes that have carried this palette for three hundred years. Start here and the rest of the room follows.

Shop Ginger Jars & Vases
MacKenzie-Childs Blue & White

Chapter Two

MacKenzie-Childs Blue & White

The Sterling Check and Sky Check collections — hand-painted enamel in the softest hydrangea blue and cream, finished with brass and glass. The pieces we reach for when the room needs a moment of whimsy and craft in equal measure.

Why we chose these pieces

MacKenzie-Childs treats an everyday object like a small piece of art. A kettle on the range, a cake stand on the island, a candlestick lamp beside the bed — the blue-and-white palette, elevated.

Shop MacKenzie-Childs Blue & White
Blue & White Bedding

Chapter Three

Blue & White Bedding

White linen sheets, a toile coverlet folded back at the foot, a stack of hydrangea-blue shams against the headboard. The guest room that makes people want to stay the whole week.

Why we chose these pieces

Bedding sets the temperature of a room. Choose one printed piece — a toile comforter, a floral quilt — and let the rest of the bed stay quiet in ivory linen.

Shop Blue & White Bedding
Pillows & Throws

Chapter Four

Pillows & Throws

A ticking stripe, a hydrangea toile, a block-print floral, a quilted throw folded over the arm of the sofa. The small pieces that make a room feel collected rather than purchased.

Why we chose these pieces

Pillows are how you change a room without redecorating. Mix a stripe, a print, and a solid — never all three matching — and the sofa reads inherited.

Shop Pillows & Throws
Blue & White Rugs

Chapter Five

Blue & White Rugs

A Persian medallion in faded French blue under the dining table, a scalloped wool cabana stripe anchoring the parlor, a toile de Jouy in the sitting room. The floor is where the palette begins.

Why we chose these pieces

A rug decides the whole room. We chose the ones that read like heirlooms — hand-tufted wool, vintage-washed cotton, softened blues on ivory grounds.

Shop Blue & White Rugs
Furniture & Statement Pieces

Chapter Six

Furniture & Statement Pieces

A blue-painted sideboard, a scalloped coffee table, a slipcovered chair by the window, a farmhouse nightstand beside the bed. The bones of the room — chosen once, kept for years.

Why we chose these pieces

Furniture is the slowest layer. A single painted piece — the vanity, the sideboard, the nightstand — will carry the palette across a whole room without another drop of blue.

Shop Furniture & Statement Pieces
Lamps, Lanterns & Lighting

Chapter Seven

Lamps, Lanterns & Lighting

A pair of porcelain jar lamps with cream shades, a rattan pendant over the island, a brass lantern by the door. Lighting is where a blue-and-white room stops looking decorated and starts looking lived in.

Why we chose these pieces

Matched lamps are the fastest symmetry you can buy. Choose one pair for the room and let every other fixture be different.

Shop Lamps, Lanterns & Lighting
The Blue & White Table

Chapter Eight

The Blue & White Table

Transferware plates, a hydrangea pitcher, blue-rimmed glassware and a ticking stripe runner. The table is where this palette started — Chinese export porcelain on an English sideboard — and it still looks best there.

Why we chose these pieces

Mix patterns freely on a table as long as every piece shares the same blue. Transferware, spatterware and check all sit together happily.

Shop The Blue & White Table
Mirrors, Art & Wall Decor

Chapter Nine

Mirrors, Art & Wall Decor

A rope mirror over the console, a framed botanical, a plate wall climbing the stairs. Walls are the last layer and the one most people forget.

Why we chose these pieces

One large piece beats four small ones. If you want a gallery, keep every frame the same finish and let the blue do the varying.

Shop Mirrors, Art & Wall Decor
Baskets, Hydrangeas & Finishing Touches

Chapter Ten

Baskets, Hydrangeas & Finishing Touches

A lightship basket on the coffee table, a jug of faux hydrangeas that never wilt, a candle that smells like the back of the garden. The small things that finish a room.

Why we chose these pieces

Every room needs something living and something woven. These are the pieces we add last and notice most.

Shop Baskets, Hydrangeas & Finishing Touches

The Nantucket Rule

“Never decorate an entire room in blue. Layer it, thoughtfully, among warm whites and natural textures — and let the hydrangeas do the rest.”

— The Editors

Another Way In

Shop by Material

Sometimes the room starts with a texture, not a color.

Linen

Slipcovers, tablecloths, napkins

Wicker & Rattan

Baskets, chairs, chandeliers

Weathered Wood

Driftwood, cedar, painted pine

Brass

Lanterns, hardware, small details

Ceramic

Ginger jars, lamps, ironstone

Cotton

Stripe pillows, quilts, throws

Glass

Hurricanes, vases, decanters

Editor's Notes

Five Mistakes That Make Coastal Decorating Feel Cheap

  1. 01

    Too much navy.

    Navy reads heavy in a coastal room. Reach for hydrangea and cornflower first; save navy for a stripe, a lampshade, a single accent.

  2. 02

    Anchors everywhere.

    One nautical piece per room, and never the obvious one. A rope mirror, not a wall of anchors.

  3. 03

    Skipping natural texture.

    Blue without jute, linen, and wicker turns clinical. Texture is what keeps the palette warm.

  4. 04

    Tropical turquoise.

    Nantucket blue is soft and weathered — hydrangea, harbor, faded shutter — never pool-water bright.

  5. 05

    Matching, not mixing.

    The best blue-and-white rooms look inherited. A little chinoiserie, a little check, a little ticking — collected slowly.

A Quiet Checklist

Before You Buy

Five questions we ask ourselves before a piece comes home.

  • Does this piece add texture, not just color?

  • Will I still love it in five years?

  • Does it work with our natural light?

  • Will it mix beautifully with what I already own?

  • Does it feel collected rather than purchased?

A Nantucket cottage at dusk

The Last Word

“Great coastal homes aren't decorated all at once. They're collected slowly, one beautiful piece at a time.”

Questions We Get

Blue & White, Answered

What is blue and white decorating?

Blue and white decorating is a centuries-old palette built on Chinese export porcelain, Dutch Delft, English transferware and American coastal houses. The rule is simple: white or cream carries the large surfaces, and blue arrives in pattern — jars, stripes, toile, florals, hand-painted check — so the room reads collected instead of decorated.

What shade of blue is most classic for a coastal room?

Two shades do most of the work on Nantucket. A deep delft or French navy gives weight to art, lamps and porcelain, and a soft hydrangea blue — a slightly gray, slightly violet blue — carries pillows, throws and walls. Skip bright turquoise and teal; they read Caribbean rather than New England.

How do you mix blue and white patterns without it looking busy?

Vary the scale. Use one large pattern (a toile, a floral, a Persian rug), one medium (a check or block print), and one small or plain (a fine ticking stripe, a solid linen). Keep the blues in the same family and let at least a third of the room stay quiet white.

Where should you start when decorating with blue and white?

Start with porcelain, because it is inexpensive to add and easy to move. A pair of ginger jars on a mantel or a cluster of three on a console establishes the palette immediately, and everything you buy afterward — pillows, rugs, lamps — can be matched to the blue in those jars.

Does blue and white work in a room with no ocean view?

Yes. Blue and white was an inland English and Dutch look long before it was coastal. Away from the water, warm it up with more oak, brass, rattan and a faded antique rug, and lean toward the deeper delft blues rather than pale sky tones.

Free Guide + The List

The Coastal Cottage Styling Guide

A 12-page Nantucket-inspired playbook — hydrangea-blue rooms, weathered cedar curb appeal, and the pieces I'd buy again tomorrow. Plus the weekly Sunday finds. Free, no spam.

Prefer to preview first? See what's inside the guide →